When I started writing the first dirty draft of Traitor’s Knot, I was so focused on the details of the events, that I often neglected the human reaction to the drama. It’s understandable given that there is so much pressure to get the historical facts nailed. Historical fiction writers have the advantage of knowing what happened to their subjects, but sometimes that knowledge blunts the suspense. This doesn’t seem to be a problem for other genres, with perhaps the exception of memoire. Science fiction and fantasy–your imagination defines what or what doesn’t happen. Contemporary or romance, ditto. Thrillers? You guys are…